Project Publications
Alliata, G., Kenderdine, S., Hibberd, L., & Mason, I. (2023). Towards immersive generosity: The need for a novel framework to explore large audiovisual archives through embodied experiences in immersive environments. PRESENCE: Virtual and Augmented Reality, 1-15 https://direct.mit.edu/pvar/article-abstract/doi/10.1162/pres_a_00366/114627/Towards-Immersive-Generosity-The-Need-for-a-Novel
Halter, G., Diehl, A., Pajarola, R. & Flückiger, B. (2022) Multi-level visual exploration of high-dimensional spaces. Technical Report IfI-2022.05, Department of Informatics, University of Zürich
Alliata, G. (2022). Redefining Access to Large Audiovisual Archives through Embodied Experiences in Immersive Environments: Creativity & Cognition 2022-Graduate Student Symposium. In Creativity and Cognition (pp. 679-683) https://dl.acm.org/doi/abs/10.1145/3527927.3533735
Ciloglu, M. (2022) Unveiling the inner structures of the montreux jazz festival concerts. Master’s thesis, Department of Informatics, University of Zürich
Satan, U. (2022) Visual patterns for runners of one of a kind. Master’s thesis, Department of Informatics, University of Zürich
Kenderdine, S. (2021). ‘Experimental museology: Immersive visualization and cultural (big) data’, in (eds) M. Achiam, M. Haldrup and K. Drotner, Experimental Museology Institutions, Representations, Users. Abingdon: Routledge: 15-34. 10.4324/9780367808433. OA: https://library.oapen.org/handle/20.500.12657/48842
Kenderdine, S., I. Mason, I. & L. Hibberd. (2021). ‘Computational archives for experimental museology’ ‘RISE IMET 2021’ International Conference on Interactive Media, Smart Systems and Emerging Technologies, ‘Emerging technologies and the digital transformation of museums and heritage sites, June 2-4, 2021, Nicosia, Cyprus. https://doi.org/10.1007/978-3-030-83647-4_1
Fossati, G. and Saccone, K.. ‘Hands On. Film Heritage in Transition.’ With Kate Saccone and Annaëlle Winand. In Encyclopedia of Film Techniques and Technologies. Edited by André Gaudreault, Laurent Le Forestier and Gilles Mouëllic. 2022 – https://encyclo-technes.org/en/parcours/all/film-heritage-transition
Previous Publications
Kenderdine, S., Shaw, J. & T. Gremmler, T. (2012) ‘Cultural Data Sculpting: Omnidirectional Visualization for Cultural Datasets’, in F.T. Marchese and E/ Banissi (eds), Knowledge Visualization Currents: From Text to Art to Culture. London: Springer-Verlag: 199-221.
Kenderdine, S. & T. Hart. (2014). ‘mARChive: Sculpting Museum Victoria’s Collections’, Museums and the Web: Proceedings, 2-5 April 2014, Baltimore.
Kenderdine, S., Au, O.K.C. & Shaw, J. (2011). ‘Cultural Data Sculpting: Omni-Spatial Visualization for Cultural Datasets’, in Proceedings of the 15th International Conference on Information Visualisation, London: IEEE, pp. 570-579.
Kenderdine, S. & Hart, T. (2011) ‘Cultural Data Sculpting: Omni-Spatial Visualization for Large Scale Heterogeneous Datasets’, in Museums and the Web 2011: Proceedings, Philadelphia, 6-9 April.
Halter, G., Ballester-Ripoll, R., Flueckiger, B. and Pajarola, R. (2019), ‘VIAN: A Visual Annotation Tool for Film Analysis’. Computer Graphics Forum, 38: 119-129. https://doi.org/10.1111/cgf.13676
Arpatzoglou, Vasiliki; Kardara, Artemisio A; Diehl, Alexandra; Flückiger, Barbara; Helmer, Sven; Pajarola, R (2021). ‘DanceMoves: A Visual Analytics Tool for Dance Movement Analysis’, in Proceedings EuroVis Short Papers, Zürich, 14 June 2021 – 18 June 2021. Eurographics Association, 67-71. https://doi.org/10.2312/evs.20211057
Heftberger, A. “Exploring the Moving Image: The Role of Audiovisual Archives as Partners for Digital Humanities and Cultural Heritage Institutions,” Digital Humanities, Libraries, and Partnerships: A Critical Examination of Labor,Networks, and Community, pp. 45–57, Mar. 2018. Available: https://hcommons.org/deposits/item/hc:18567/.
Fossati, G. “Found Footage Filmmaking, Film Archiving and New Participatory Platforms,” in Found Footage: Cinema Exposed, M. Bloemheuvel, G. Fossati, and J. Guldemond, Eds. Amsterdam: Amsterdam University Press, 2012, pp. 177–184.
Masson, E., Olesen, C.G., van Noord, N., & Fossati, G. (2020). ‘Exploring Digitized Moving Image Collections: The SEMIA Project, Visual Analysis and the Turn to Abstraction.’ Digital Humanities Quarterly , 14 (4). http://digitalhumanities.org/dhq/vol/14/4/000497/000497.html
Kreiss, Sven; Bertoni, Lorenzo; Alahi, Alexandre. PifPaf: Composite Fields for Human Pose Estimation. Conference on computer Vision and Pattern Recognition (CVPR). 2019
Adaimi, George; Kreiss, Sven; Alahi, Alexandre. Deep Visual Re-Identification with Confidence. Transportation Research Part C: Emerging Technologies. 2021
Kreiss, Sven; Bertoni, Lorenzo; Alahi, Alexandre. OpenPifPaf: Composite Fields for Semantic Keypoint Detection and Spatio-Temporal Association. IEEE Transactions on Intelligent Transportation Systems. 2021
Mordan, Taylor; Cord, Matthieu; Pérez, Patrick; Alahi, Alexandre. Detecting 32 Pedestrian Attributes for Autonomous Vehicles. IEEE Transactions on Intelligent Transportation Systems. 2021
Zauss, Duncan; Kreiss, Sven; Alahi, Alexandre. Keypoint Communities. International Conference on Computer Vision (ICCV). 2021
Xiong, Weijiang; Bertoni, Lorenzo; Mordan, Taylor; Alahi, Alexandre. Simple Yet Effective Action Recognition for Autonomous Driving. 11th Triennial Symposium on Transportation Analysis Conference (TRISTAN XI). 2022